Gallery Talk ‘ The Silk Road Legacy in Contemporary Ceramics’ on September 20, 2PM~

at Joseph Carini Carpets ( 335 Greenwich Street, NYC ( T. 646-613-0497) )
Gallery Talk by Michael Chagnon*
Yuki Hayama: The Silk Road Legacy in Contemporary Ceramics
Tuesday, September 20, 2PM ~
Joseph Carini Carpets Showroom_exhibition
Invitation to the Special Program of
The Debut Exhibition of Ceramic Works by Yuki Hayama – Beauty of Life –
In collaboration with Joseph Carini Carpets ( Exhibition until September 29 )
The artistic connections between east and west Asia encapsulated in Hayama’s ceramics, and the exchange of visual ideas that is one of the Silk Road’s most enduring legacies.
* Michael Chagnon is Curator of Exhibition Interpretation at Japan Society Gallery, New York.  A specialist of early modern Persian art, he received his Ph.D. in Islamic art from the Institute of Fine Arts, New York University in 2015.
For more information, please call + 1. 212-967-4899 or email to
R.S.V.P by September 19

Opening on September 8 ! Join us for the spectacular exhibition ‘ Beaty of Life ‘ and special events!


The Debut Exhibition of Ceramic Works by Yuki Hayama – Beauty of Life 生命の美 – In collaboration with Joseph Carini Carpets

Opening Reception
September 8, 6-9PM

Artist Talk
September 9, 2PM ~

In this program, artist Yuki Hayama will explore his sources, processes and the themes of this exhibition. He will also show his incredible drawing technique on ceramic before audience.
Please join this exclusive public conversation!

Venue :
Joseph Carini Carpets
335 Greenwich Street, New York, NY 10013

Suikei Saito’s calligraphy work was installed.




Suikei Saito’s special commission calligraphy work was finally installed at one of our client’s office located in the middle of Manhattan, where people can enjoy panoramic view of the city.

“Never give up”, which is the company’s spirit, is expressed through Suikei’s bold brushstrokes (4′ x 4′ each).

*七転八起 means “Fall Seven Times, Stand Up Eight”.

A Solo Exhibition of Japanese Painter Ken Matsubara – Distillation –

1・景16-3-07 130x92 _A15426

When the ability to express emotion was acquired, that is when man became human.
I would like to get back to this starting point.
If my paintings strike a sympathetic chord with, and awaken nostalgia in the back of a viewer’s mind, it will be my pleasure as an artist.

- Ken Matsubara

Ippodo gallery is pleased to announce – Distillation – Japanese painter Ken Matsubara’s solo exhibition which opens on May 12. Ken Matsubara (b. 1948) is a Japanese painter. He was born in Kamiimachi, Toyama Prefecture, Japan. The Toyama is close to the Japanese Alps, so he has been surrounded by mountains since he was born. Now he spends his time using earth from the outdoors to recreate nature indoors, living and working in Nasu, Tochigi prefecture.

“When memory and reality combine, the seeds overflow and scenery is born,” says Matsubara. Deeply treasuring his relationship with the natural world, Matsubara travels through the mountains and plains of the Nasu district to collect materials infused in his work. The artist grinds his own pigments from the earth, sourcing different colors of soil to mix with charcoal and bengala, a red iron oxide. The technique is systematic but the result is serene, and his valleyand mountain paintings blend pleasantly in a variety of settings.

With a playful smirk on his face and a skullcap on his head, Matsubara methodically sources materials outdoors, grinds pigments by hand, and prepares his washed canvasses. Although he uses brushes to gesso and glue the canvasses, the subject matter only evolves with spritzes of water, allowing the grit of the dirt-based pigments to stick to the glue in a natural formation.

When Matsubara had a chance to fly over Mount Fuji and view the mountain from above, he felt profoundly that the mountains were sculpted by water, so he paints them using only careful direction of fluid. The result mimics nature itself, like lines in the soil from a river, or rings and bark breaks on a tree. He almost always paints outside during the daytime, to bask in the light of the sun and view the paintings in their purest form.

In the summer, Japan’s climate is hot and humid. Matsubara’s works with bright sun, thriving on his own energized spirit as well. When snow falls on white-capped mountains, the landscape is quiet, with just the sound of ice melting. Air is brisk, and while the climate is harder when working with water, Matsubara’s spirit is purified. His work changes depending on the season.

The simplicity of the line nevertheless has a contemporary feel, evoking the minimalistic calligraphic work often seen in other artistic movements. On the one hand, the work is incredibly unique in subject and media, yet the universality of the line on the other compels viewers previously unfamiliar with Matsubara’s innovative style.

Matsubara has shown extensively in Japan, but rarely outside his home country. This is first exhibition in the United States, and the first abroad since his 2006 Exhibition of Ken Matsubara, which toured Paris and Cologne.

Ippodo Gallery has been actively seeking artists who depict nature through unusual methods, making powerful statements about the awe-inspiring beauty and sometimes danger that nature can bring humanity. This aesthetic appreciation for the natural world manifests with inspired living artists, and proves to be an exciting development for the direction of contemporary Japanese art overall.


***Click to watch the film of Ken Matsubara’s process of making! ***

The Process of Painting by Ken Matsubra

For more information and to view an online catalogue, please visit our Exhibition page, or see our official press release.