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Painting Radiance
Light and Nature in the Art of Daisuke Nakano, 25 March - 23 April 2021

Painting Radiance: Light and Nature in the Art of Daisuke Nakano

Past exhibition
Open a larger version of the following image in a popup: Daisuke Nakano, The Scent of Early Summer, 初夏薫る(白藤), 2021
Open a larger version of the following image in a popup: Daisuke Nakano, The Scent of Early Summer, 初夏薫る(白藤), 2021
Open a larger version of the following image in a popup: Daisuke Nakano, The Scent of Early Summer, 初夏薫る(白藤), 2021
Open a larger version of the following image in a popup: Daisuke Nakano, The Scent of Early Summer, 初夏薫る(白藤), 2021
Open a larger version of the following image in a popup: Daisuke Nakano, The Scent of Early Summer, 初夏薫る(白藤), 2021
Open a larger version of the following image in a popup: Daisuke Nakano, The Scent of Early Summer, 初夏薫る(白藤), 2021
Open a larger version of the following image in a popup: Daisuke Nakano, The Scent of Early Summer, 初夏薫る(白藤), 2021

Daisuke Nakano Japan, b. 1974

The Scent of Early Summer, 初夏薫る(白藤), 2021
Painting
H43 1/4 x W17 7/8 in
H110 x W45.5 cm

H43 ⅓ x W22 in
H130 x W56 cm ( with frame )
A22378

Further images

  • (View a larger image of thumbnail 1 ) Shin Fujihira, Bird and Flower , 1980
  • (View a larger image of thumbnail 2 ) Shin Fujihira, Bird and Flower , 1980
  • (View a larger image of thumbnail 3 ) Shin Fujihira, Bird and Flower , 1980
  • (View a larger image of thumbnail 4 ) Shin Fujihira, Bird and Flower , 1980
  • (View a larger image of thumbnail 5 ) Shin Fujihira, Bird and Flower , 1980
  • (View a larger image of thumbnail 6 ) Shin Fujihira, Bird and Flower , 1980
  • (View a larger image of thumbnail 7 ) Shin Fujihira, Bird and Flower , 1980
View on a wall
Daisuke Nakano’s Scent of Early Summer is luscious bunches of white wisteria with the company of a beautiful moth. The delicate petals and leaves jump off the lattice-like gold leaf background. The harmonious combination of the moth and flowers creates a sense of calm and peace as one casts gazes onto the tranquil scene. Nakano slowly builds up his colors with layers and layers of paint to finally come up with brilliant, bold colors. Nagano overlaps various whites, greens, and browns to revile the complexities of each on the surfaces of the painting. The petals become smaller and subtle. The lack of definite lines in the flowers adds to their soft qualities. The gold leaf background reflects light and warmth, inviting the moth to fly close to the blooming blossoms.
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