-
BiographyShigeki Fukumoto (b. 1946) was born in Shiga Prefecture and raised in Nakagyo Ward, Kyoto. Fukumoto studied Western painting at Kyoto City University of Arts (formerly Kyoto Municipal College of Fine Arts). After graduating, he took over the family business of traditional Kyoto yuzen dyeing.
Fukumoto's practice is grounded in the belief that both theoretical and cultural research are essential to dyeing. He has engaged in studies of dyeing techniques and ethnographic art, while also contributing to education and continuously exploring new forms of expression within contemporary art.
Using large panels, Fukumoto has developed innovative techniques that combine traditional dyeing methods with new ideas, such as his intricate "cloth patterns" (布象嵌). Through these, he creates works that evoke both inevitability and chance, exploring the natural principles of dye permeation and the unique expressive qualities of dyed surfaces.
Fukumoto has stated that Kyoto's dyeing culture, which he considers "one of the finest in the world," possesses a distinctive sensibility shaped by the city's rich historical and cultural environment. He has actively presented this aesthetic internationally through exhibitions and symposia in Europe and Asia.
After retiring from a professorship at Osaka University of Arts in 2016, Fukumoto moved his studio from central Kyoto to the northern mountains of the city, where he continues to create work. Additionally, he is a visiting professor at Kanazawa College of Art, a part-time lecturer at Kyoto University of the Arts, and a visiting collaborative researcher at Ritsumeikan University. As both an artist and researcher, Fukumoto emphasizes "pure curiosity" and an "amateur spirit," and expresses a strong desire to pass on the knowledge gained through his own observations and experiences to future generations.
Current Positions
Visiting Collaborative Researcher, Ritsumeikan University Center for Asia-Pacific Studies
Visiting Professor, Kanazawa College of Art
Part-time Lecturer, Kyoto City University of Arts
Major Awards
1992: 1st International Textile Competition (Grand Prize), Osaka Triennale (Bronze Prize)
2001: Cheongju International Craft Biennale, Invited Artist Exhibition (Grand Prize)
2020: Japan Dyeing Association Award
2021: Special Award, Dojin Bio Regional Research
Selected Publications
The Culture of Dyeing: The Spirit of Japanese Dyeing (1996)
Why Crafts Are Interesting in the 21st Century (Editor, 2003)
Fukumoto Shigeki: The Infinite World of Black (2017)
Before Textile Objects: Clothing of the South Pacific (2023), among others
Public Collections
Textile Museum, Washington D.C.
Museum of Fine Arts, Boston
National Crafts Museum, Kanazawa
The National Museum of Modern Art, Kyoto
Kyoto Municipal Museum of Art
-
Works
Shigeki Fukumoto b. 1946
Shishin Sōō, Suzaku I, "Vermilion Bird I" 四神相応 朱雀ー1, 2006Turfan Cotton, Reactive Dyes / Original soak dyeing, Rō-zomeH44 1/2 x W44 1/2 x D5/8 in
H113 x W113 x D1.6 cmF30289Copyright The ArtistSuzaku I ("Vermillion Bird I")
Suzaku I creates rich vertical stripes of purple, magenta, and white, underlaid with a grey wax-resist grid using the rōzome dyeing technique. The soft blurring of colors and dynamic quality of the dye evokes a calming, meditative landscape.
Context: Four Gods
The Kitora Tumulus at Asuka, in Nara Prefecture, is thought to have been constructed between the end of the 7th and the beginning of the 8th centuries. Investigations have revealed colorful wall paintings inside its stone burial chamber. The Four Gods are depicted at the center of the four walls, each oriented to its corresponding cardinal direction, while the ceiling bears three concentric circles and the heavenly ecliptic, populated with constellations, which is thought to be the oldest surviving astronomical depiction in East Asia.
In this series of four works, of which Suzaku I ("Vermilion Bird I") is one, the artist envisions the white cube of the exhibition gallery as the stone chamber of the tumulus. Each work must be displayed in the correct directional orientation relative to the others. In other words, the work is not fitted to the walls, but the walls to the work.
Provenance
Artist StudioExhibitions
Shimijimi: Dyed and Inlaid Textiles by Shigeki Fukumoto, Ippodo Gallery, New York, April 30 - June 6, 2026.
Fukumoto Shigeki: Dyeing SHIJIN-SOO Topography, Gallery Aoi Kaze, Kyoto 2006.Literature
To Dye, Perchance to Dream: Fukumoto Shigeki: Collected Works 1983–2017. Kyoto: Naya Yoshito, 2017, p. 148.
Join the Ippodo Gallery newsletter
* denotes required fields
We will process the personal data you have supplied to communicate with you in accordance with our Privacy Policy. You can unsubscribe or change your preferences at any time by clicking the link in our emails.
