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Open a larger version of the following image in a popup: Shigeki Fukumoto, Shishin Sōō, Suzaku I, "Vermilion Bird I" 四神相応 朱雀ー1, 2006

Shigeki Fukumoto b. 1946

Shishin Sōō, Suzaku I, "Vermilion Bird I" 四神相応 朱雀ー1, 2006
Turfan Cotton, Reactive Dyes / Original soak dyeing, Rō-zome
H44 1/2 x W44 1/2 x D5/8 in
H113 x W113 x D1.6 cm
F30289
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Suzaku I ("Vermillion Bird I")

Suzaku I creates rich vertical stripes of purple, magenta, and white, underlaid with a grey wax-resist grid using the rōzome dyeing technique. The soft blurring of colors and dynamic quality of the dye evokes a calming, meditative landscape.

Context: Four Gods

The Kitora Tumulus at Asuka, in Nara Prefecture, is thought to have been constructed between the end of the 7th and the beginning of the 8th centuries. Investigations have revealed colorful wall paintings inside its stone burial chamber. The Four Gods are depicted at the center of the four walls, each oriented to its corresponding cardinal direction, while the ceiling bears three concentric circles and the heavenly ecliptic, populated with constellations, which is thought to be the oldest surviving astronomical depiction in East Asia.

In this series of four works, of which Suzaku I ("Vermilion Bird I") is one, the artist envisions the white cube of the exhibition gallery as the stone chamber of the tumulus. Each work must be displayed in the correct directional orientation relative to the others. In other words, the work is not fitted to the walls, but the walls to the work.



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Provenance

Artist Studio 

Exhibitions

Shimijimi: Dyed and Inlaid Textiles by Shigeki Fukumoto, Ippodo Gallery, New York, April 30 - June 6, 2026.
Fukumoto Shigeki: Dyeing SHIJIN-SOO Topography, Gallery Aoi Kaze, Kyoto 2006.

Literature

To Dye, Perchance to Dream: Fukumoto Shigeki: Collected Works 1983–2017. Kyoto: Naya Yoshito, 2017, p. 148.
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