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  • Open a larger version of the following image in a popup: Kaori Someya, Tagasode: Tailwind 誰が袖-追い風, 2017

    Kaori Someya b. 1977

    Tagasode: Tailwind 誰が袖-追い風, 2017
    Mineral Pigments, Mica, Dye, Washi Paper, and Animal Glue
    H28 5/8 x W35 7/8 in
    H72.7 x W91 cm
    A30753
    Copyright The Artist
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    Tagasode, meaning “whose sleeves?”, was a popular theme during the Edo period (1603–1868). The motif—an uninhabited kimono mounted on a hanging rack—is derived from old love poems and describes an absent woman whose scent still lingers on the robes she left behind. Someya finds this theme to be deeply representative of Japanese culture and often features tagasode in her work. Someya frequently reflects on isolation and the struggles of women in a changing contemporary Japanese society. A fleeting bird may point towards a woman's pursuit of greater things and her endurance as she navigates life’s challenges.


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    Exhibitions

    Kaori Someya: The Light Within, Ippodo Gallery, New York, September 10-October 17, 2026

    Duet: Kazutoshi Oshimoto and Kaori Someya - The Interplay of Stillness and Motion," Sato Sakura Museum, Tokyo, December 6, 2025-February 15, 2026

    Hare and Ke: Kaori Someya Nihonga Exhibition," Nihombashi Mitsukoshi Gallery, Tokyo, January 17-22, 2018

    Literature

    Kaori Someya, "Kaori Someya–Between the Visible and Unspoken", The Guide Artists Publishing, 2025 (p. 165)
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